MIDAS Venice 320 Mikser

    Features and Specifications Venice 160 Venice 240 Venice 320 Inputs (total) 30 38 46 Mono-Inputs (Mic/Line) with Inserts 8 16 24 Stereo-Line/Mono-Mic-Input Channels 4/4 4/4 4/4 Stereo-Effect-Returns (Line) 4 4 4 Stereo-Tape-Return (Line)   1 left/right   Busses   15   Subgroups   4   Aux Pre-Fader (Monitor)   2   Aux Post-Fader (Effects)   2   Aux switchable Pre/Post-Fader   2   Master L/R   2   Mono-PFL   1   Stereo-AFL   2   Outputs       Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks Aux Pre-Fader (Monitor)   2 XLR (balanced)   Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks Aux switchable Pre/Post-Fader   2 XLR (balanced)   Master (with Inserts)   2 XLR (balanced)   Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader)   2 XLR (balanced)   Tape Send (Recording)   1 Stereo (Phono)   Direct Outputs (1/4 inch Jack) 8 16 24 Stereo-Headphones 2 Stereo-1/4 inch jack Stereo-Speakers 2 impedanced balanced 1/4 inch jacks Additional Features       Connector for desk lamps 2 x 12V/5W (4-Pin XLR) 19“-rack-mounting- kit, yes - - rotatable connector panel yes - - Accesories Dust Cover (included) 12 V Desk Lamp (not included) Input Transformer (not included) Technical Data       Input Impedance         Mic 2 Kohms Balanced   Line 20 Kohms Balanced Input Gain         Mic Continuously variable 0dB to +60dB   Line (Mono Channell) Continuously variable -20dB to +40dB   Line (Stereo Channel) Continuously variable -10dB to +20dB   Line Level Inputs   0dB   Maximum Input Level         Microphone and Line   +22dBu     Line Level Inputs (Mono)   +42dBu     Line Level Inputs (Stereo)   +22dBu   CMR at 1kHz         Mic (Gain +30dB)   > 80dB     Line   > 40dB   CMR at 100Hz         Mic (Gain +30dB)   70dB typical   Frequency Response (20Hz-20kHz)         Mic to Mix (Gain +60dB)   + 0dB to -1dB   Noise (20Hz-20kHz)         Mic EIN ref. 150gain +60dB   -129dBu     Mic EIN ref. 150gain 0dB   -107dBu   System Noise (20Hz-20kHz)         Summing Noise (12 channels routed, faders down)   -90dBu     Line to Mix Noise (12 channels routet at 0dB)   -84dBu   Distortion at 1kHz         Mic to Insert (+30dB Gain. +20dBu Output)   Typ 0,0007%     Mic to Master (+30dB Gain, +20dBu Output)   < 0,009%   Crosstalk at 1kHz         Channel to Channel   < -80dB     Mix to Mix   < -80dB     Channel to Mix   < -80dB     Fader Attenuation   > 100dB     Switch Rejection   > 100dB   Output Impedance         Line Outputs   75 Ohm balanced     Headphones   to drive 32 Ohm   Maximum Output Level         Master Outputs   +25dBu     Line Outputs   +22dBu     Headphones   +22dBu / 600   Nominal Signal Level         Microphone   - 60dBu to 0dBu     Line   0dBu   Equaliser Mono Channel         Hi Pass Filter 2nd order Butterworth, 80Hz   Treble +/-15dB at 12kHz (Shelv)   Hi Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB   Lo Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB   Bass + /-15dB at 80Hz (Shelv) Equaliser Stereo Channel         Treble +/-15dB at 12kHz (Shelv)   Hi Mid 3kHz (1,4 Oct) +/-15dB   Lo Mid 300Hz (1,4 Oct) +/-15dB   Bass +/-15dB at 80Hz (Shelv) Size (mm/inch)         Width 490 / 19.3“ 698 / 27.5“ 906 / 35.7“   Depth 568 / 22.4“ 568 / 22.4“ 568 / 22.4“   Heights 194 / 7.6“ 194 / 7.6“ 194 / 7.6“ Weight (kg/lb)         16,4 / 36.2 21,1/ 46.5 25,8 / 56.9